Brothers

What we have here is a stupid song; stupid, stupid, stupid. Still, Brothers was our first single to reach top ten on the charts of Uqbar in Tlön. Banging the drum on this tune is ole Maestro Lindbäck. The trombone section is conducted by Wankin’ Fredheim. The entire Ping boys choir can be heard on the chorus, and we are looking for a music corps to help us perform the finale live!

One day I was so stupid, one day I was so stupid,

so really really stupid, you can’t believe how stupid!

I wouldn’t put a bet on how stupid I can get,

my maiden name is Stupid – stupid, stupid, stupid.

Today when I discovered the matrix of all things,

geometry of poetry, and the missing lynx.

Stupid’s gonna be on the news today, yeah!

Now they gonna listen to what stupid’s gotta say!

I met my brother at the end of a mile,

hadn’t seen him for quite a while,

he told me stories ’bout his fishing gear,

I told him ’bout my deepest fear.

I met my brother at the end of the Nile,

we hadn’t met for quite a while

I told him ’bout my old guitar,

he promised me a ride in his car.


2873 Comments on “Brothers”

  1. The mysterious symbols found carved in Qatar’s desert
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    Some shoot out of the soft rock like reptiles bathing in the sun. Others are mysterious depressions resembling an ancient board game played all over the world. And a few are straight-up puzzling.

    On a desolate and windswept corner of Qatar’s northeastern coast, among the sand dunes of the barren desert, lies Al Jassasiya, the Gulf country’s largest and most important rock art site.

    Here, people centuries ago used a series of low-lying limestone outcrops as a canvas on which they carved symbols, motifs and objects that they observed in their environment.
    Overall, archaeologists have found a total of some 900 rock carvings, or “petroglyphs,” at Al Jassasiya. They are mostly enigmatic cup marks arranged in various patterns, including rows and rosettes, but also eye-catching representations of sailing ships, usually seen from above but also depicted in linear profile, among other symbols and signs.

    “Although rock art is common in the Arabian Peninsula, some of the carvings in Al Jassasiya are unique and cannot be found anywhere else,” Ferhan Sakal, head of excavation and site management at Qatar Museums, told CNN, referring to the petroglyphs of ships seen from a bird’s-eye view.

    “These carvings represent a high degree of creativity and observation skills the part of] the artists who made them,” he said. “Also abstract thinking, as they were not able to see the dhow (a traditional ship) from above.”

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